Trained in classical ballet, completing the Royal Academy of Dance syllabus, and performed for a few years with independent ballet companies in Mexico.

Developed an autodidactic path in contemporary dance, improvisation, and composition, receiving training from influential teachers in Mexico and abroad.

Attended the Impulstanz Festival in Vienna for three consecutive years (twice as a danceWEB scholarship recipient) and trained extensively at Movement Research in New York. These spaces were both creative incubators and powerful catalysts for my artistic development.

The exposure to diverse artistic perspectives led me to create a program to invite international teachers to Mexico — deepening my training and allowing others to benefit from those who had deeply influenced my own work. (PIAA, that invites teachers like Johanne Madore, Andrew Harwood, David Zambrano, Thomas Stayaert)

Technique, Movement & Improvisation: Alan Danielson, Frey Faust, Johanne Madore (Physical Theatre), Mathilde Monnier, Iñaki Azpillaga, Thomas Stayaert, David Zambrano (Flying Low & Improvisation), Trisha Bauman (Body Mind Centering), Jennifer Nugent (technique), Barbara Mahler (Klein technique), Otto Ramstad (Somatic movement),  Andrew Harwood (Contact Improvisation), Irene Dowd (Kinesthetic anatomy), Martha Eddy (Somatic movement), Janet Panetta, Libby Farr (Gyrokinesis),Kurt Mossetter (Myorreflexology), Ori Flomin, Judith Grodowitz and Shelley Senter (Alexander Technique), Keith Hennessy, Angélique Willkie (voice and movement), Charmaine LeBlanc, Luciana Achugar, Jeremy Nelson, Eva Karczag.

Composition: David Dorfman, Tere O’Connor, Miguel Gutierrez, DD Dorvillier, Jennifer Monson, RoseAnn Spradlin (Body Mind Center and Composition).

Director of Dharma (2002–2011), a multidisciplinary, collaborative dance company. Presented original and co-created works in major stages across Mexico, New York, Brazil, Portugal, Norway, France, and Belgium (Bozar Festival).

• Key works include: Reacción inversa a la política del avestruz, Cuando me busco, Huesos en voz alta, Embalajes, Blink, Punishment to the Movement.

• Recipient of the Mente Escenario Award (Quo–Discovery Channel, 2010).

• Winner of the Best Female Performer Award at the INBA–UAM Contemporary Choreography Prize (2006) and Honorable Mention for Blink (2008, co-created with David Wampach).

• Guest choreographer for Danza Joven de Sinaloa.

• Collaborated with Mexican choreographers: Nadia Lartigue, Ángel Rosas, Esther Lópezllera, Geraldine Cardiel.

• Worked with international artists: Henrique Rodovalho, Alan Danielson, David Wampach, Mariella Greill, Ramona Poenaru.

In 2010, as part of Mexico’s Bicentennial Celebration, I traveled across the country to meet Abuelos de Tradición — traditional elders and guardians of indigenous dance from 13 regions. This experience profoundly changed my relationship with dance, revealing its ritual, spiritual, ancestral, and communal dimensions. It marked a turning point in my journey toward deeper explorations of embodiment and healing.

• Choreographer of En torno a Frida y Diego (UNAM, 2015).

• Since 2021, performer and collaborator with La Infinita Compañía, working with Raúl Tamez and Rodrigo González on productions such as Cityquiero, Tsunami, Triunfo de la Vida, Alguna vez vi un colibrí, and La Pasión.